Know What Publication By Omission Is? Join The Debate!

Yesterday, the fabulous Moonrat over at Editorial Ass posed some questions that desperately needed asking about racism in the publishing industry. Here's the link: Editorial Ass: Publishing by Omission (or, Fighting Racism from Your Very Own Nightstand!) She explains it far more eloquently than I can, but the crux of her argument is that racism in publishing--as it is in most other industries today--occurs not with blatant attacks, but by the more insidious, subtle act of omission. In other words, projects from writers of color are systematically rejected in favor of more "marketable" work from white writers.

Here's my favorite quote from the post:

Writers of color aren't disadvantaged, per se; it's just that white authors are very, very advantaged. You know. No one's trying to be mean. (Or, at least, most people aren't.)

Personally, I think Moonrat's logic is spot-on, and she would know--she works in the industry, folks! But, as the guy from Reading Rainbow says, "You don't have to take my word for it!" Read the post and decide for yourself. Once you're done, don't be afraid to give feedback in the comments section. If Moonrat is right, what the heck are we all supposed to do about this?

I've been following the discussion since the post was first published, and I'm amazed at how insightful and (remarkably) respectful it has been. I'm learning a great deal from other writers' comments--even ones I strongly disagree with--and that's what makes these type of discussions so fascinating to me. I'm thrilled that we can still have a candid conversation about a difficult topic like racism without us biting each other's heads off.

Believe it or not, I'm convinced this is something every writer needs to think about, regardless of your race. The landscape of this country is changing. The election of President Obama was just the beginning. Experts say that by the year 2050, minorities will be the majority race in the U.S. Our world is more interconnected than ever before. As writers, we need to figure out how we're going to deal with these changes and whether or not they should affect our work. We can't afford to write 20th century stories in a 21st century world.

Will The REAL Writers Please Stand Up?

I've held my peace on this issue for quite some time now, but lately things have gotten out of hand. I'm mad enough to blow my top, and it's time you all knew why.*

Just about all my favorite literary agents have experienced a huge jump in the number of queries they've received this year over last year, and most of them (understandably) are not happy about it. Everyone from Nathan Bransford to Janet Reid to Jennifer Jackson has mentioned it at some point over the last few weeks. Many of them, like Rachelle Gardner and Colleen Lindsay, have had to change their submission guidelines just to keep up with the madness. Some, like Rachel Vater, are no longer accepting submissions at all.

And the reason the query floodgates have suddenly opened up? Most of the above agents seem to have reached the same conclusion: It's the economy, stupid. All the Joe and Jane Schmos out there who can't get jobs have mutually decided they are all qualified to become writers. Why not? They have nothing better to do. How hard could it be?

So, they park their happy behinds in front of their desktops, plunk down some 150,000-word monstrosity and email it off a month later to the first agent listed under a search for "writing agents" on Google. Grr. It's enough to make me want to pull out my hair.

It's not that I can't handle competition. Heck, I've been competitive since kindergarten, when I was the last person to finish coloring my picture because I wanted it to be the prettiest in the class. I have a true Type-A personality; I live and breathe this stuff, man. My problem is a little something we learned in elementary school--it's called following directions. It's something many of these new so-called writers aren't doing, and it's ruining things for the rest of us who actually take this thing seriously.

Look, I get that writing is a weird and mysterious thing. I also get that to people unfamiliar with the publishing industry, the querying process might as well be in another language for all the sense it makes. It can get complicated pretty fast.

But you know what? That's why we have the Internet. Five minutes is long enough to learn everything you need to know about a literary agent--any literary agent. Everything--from submission guidelines to lists of recent clients--is right there at your fingertips, waiting for you to take advantage of it. And yet, because so many writers are too ignorant, too lazy, too...I have no idea what...to do their homework, they're making it that much harder for those of us who know what we're doing to get a fair shot.

I realize I'm probably preaching to the choir here. The people who read this blog are the ones who are not only querying agents properly, but getting requests for partials and fulls and even--dare I say it--that prized offer of representation. You're the ones doing it right, and I salute and admire you for it!

Still, if you could just pass on a message for me to the others, the impostors out there who call themselves writers... Tell them I said not to waste their time. If they can't bother to look up the name of an agent before sending a query, if they can't make the effort to find out what that agent represents, and if they can't find the time to read both inside and outside of their genre, they have no business chasing after the dream of the Great American Novel. Tell them they're better off self-publishing or not publishing at all. Leave the traditional publishing ventures to the pros--people who really do it for a living, not just folks who woke up one day and thought it might be sorta cool.

Being a writer is like most other things: Just because everyone can do it doesn't mean everyone should.

*Thanks to Julie Butcher-Fedynich over at Fire Drill for inspiring this post with her fantastic rant yesterday!

Need Some PR For Your Book?

Even though I'm light years away from having a book deal or even an agent, I like to think ahead. There's a general consensus in the publishing world that authors need to take on the lion's share of the marketing for their books, so I'm checking out my options early. In addition to following the blogs of literary agents and published authors, I'm researching marketing and PR-based blogs as well. When I do get that prized book deal, I want to hit the ground running before the ink on my contract dries.

The Book Publicity Blog is one of my favorites. It's mainly geared toward book publicists and other publishing professionals, but there are a lot of nice tidbits for aspiring authors as well. Today's post is a prime example of that. Yen put together a fantastic list of freelance book publicists, including each one's website, experience and specialty by genre. Be sure to also read her earlier post about how to hire a freelance book publicist as well.

If you've ever thought about hiring a publicist for your book, you'll want to refer to these posts. If you're even remotely close to securing a book deal or know someone who is, they're must-reads. Take a look-see and let me know what you think. Would you consider hiring a book publicist in the future? Why or why not?

The Waiting Game

Lately I've observed that quite a few of my fellow writers have taken that brave, brave step we all hope to make someday: querying literary agents. Yikes. I have yet to tackle it myself, but I've heard that the whole process is one big, ugly, scary beast, no matter how many times you face it. Even the jargon is intimidating; queries, partials, fulls, exclusives, contracts... Ugh! I can see why so many people opt for the self-publication route. Sometimes I feel like it would be easier to take my manuscript to the nearest Kinko's and hand out copies of it outside Barnes and Noble.

But no. I, like many of you, have chosen to take the road less traveled by. The traditional route, with all its wrinkles and hangups and inefficiencies. Say what you will about traditional publishing--it's still the best thing we've got, at least for the time being (although if Nathan Bransford's post today is any indication, that may change sooner rather than later).

As I read about each writer's querying experience, they all touched in some way on the agony of waiting, which was often compounded by the sting of rejection whenever it came. All of them also had different ways of coping while they waited. Debra "kept on truckin'" with other writing projects, while Michelle made light of the situation with hand drawn pictures and a fun discussion with her blog followers. When things didn't go in his favor, Jon kept his perspective by looking at the bigger picture.

Personally, I found all of their stories inspiring in different ways. They made me think about how I'll handle the inevitable waiting that happens during every part of the publication process. I hope when my time comes, I'll have the patience and grace to cope with it as well as these writers do.

What about you? Are you playing the waiting game right now? How are you coping? How do you plan to cope when it's your turn?