Can Authors Give Negative Book Reviews?

The other day, I was scanning Goodreads and came across what appeared to be a not-so-nice review of a fairly well-known author's book. Upon closer inspection, however, I realized it was actually a rather scathing indictment of the author's reaction to negative reviews in general. According to the reviewer, the author was warning other aspiring authors to not give negative ratings to books, since it could damage their budding careers in the long run. If you bash an author's book and later want that author to write a blurb for you, for example, forget it.

Now, I won't give either the reviewer's or the author's names, since I can't confirm the accuracy of any of this information. However, I don't think names matter much in this scenario anyway. I'm far more interested in the opinions that were raised in this exchange. 

The reviewer, along with others who left comments, seemed to have the attitude that authors who get negative reviews should put on their "big kid undies" and chunk it up as part of the business. The consensus was that no author has the right to tell people whether or not to leave negative reviews, whether those people are aspiring writers themselves or not.

Hmm. Interesting. I can't say I've ever thought about book reviews in quite this way before. I've always known that they held tremendous power for writers, but I never thought how that influence may come at a price. To be honest, the entire thing has me questioning some of the book reviews I've written myself.

While I'm not a book blogger by any means, I am a fairly avid reader and I have a couple of reviews up on Goodreads at the moment...along with millions of other people. So, I had to wonder: Are authors really out there scanning for reviews like mine, ones that may or may not have been favorable to them? If I criticize an author's prose, plot or character development, will that really come back to bite me once my own work of art is published?

Well, here's my take on the matter: I believe in the Golden Rule---treating others as you wish to be treated---but I also believe in honesty. The same freedom of speech that allows you to write a book in the first place is the same freedom of speech that allows me to examine that book with a critical eye if I wish. It is our right and duty as intelligent readers to think critically about what we read, not just swallow it down without digesting it.

That said, there's no reason for us to be petty and ugly when we offer our criticism. Whether we believe it or not, every published author slaved over the words we read, polishing and fine-tuning to make them as perfect as possible. And for that, they deserve our respect, not our insults and ridicule. We can disagree with their work without devaluing them as people, and that's an important distinction to make. At the end of the day, I think it's a compromise we can all live with.

What do you think? Do aspiring authors have the right to publicly criticize the work of their peers? If so, is there a way to do it respectfully? Can popular book reviewers be honest in their reviews, or has it become "politically correct" to only post positive reviews?

Trends I've Noticed in YA Fiction

Trends are funny things. They come in and go out like the tide, bursting onto the scene and fading away just as quickly. They're found in fashion, T.V. shows, movies and books, and the same ones seem to appear over and over again. Bell bottoms become flared jeans, slip-ons become pop kicks and leggings become...well, leggings. Each time we think these flashy fads are gone for good, they somehow reinvent themselves for a new generation.

Nowhere is this more true than in the world of literature, especially with the rise of the e-reader, which makes the latest bestseller a simple click or download away. Some argue that the entire young adult (YA) genre itself is a fad that will eventually fade like others. I strongly disagree with this logic, but that's another topic for another post. I do, however, believe that YA lit is subject to trends like all other genres of writing. Here are just a few of the ones I've noticed lately:

1. Dystopian fiction - This one is a biggie, arguably the most popular trend in the genre right now. Not to be confused with utopian fiction. Wikipedia offers pretty detailed explanations for both, but for the sake of simplicity, I'll just say that utopian fiction depicts an ideal world, a paradise of sorts. Dystopian fiction depicts the opposite, a world that is unraveling, often to the point of destruction. Today's dystopians include major blockbuster hits like The Hunger Games, Divergent, Wither, The Maze Runner and a host of others, but as blogger Lily Paradis so eloquently shared in her recent post on the subject, these books are hardly the first of their kind to imagine our world with a dismal future.
2. Dead protagonists - Book marketer and blogger Rachel Stark made a compelling case last October for the obsession we seem to have with dead girls in YA literature, and the trend only seems to have grown since that post was published. From stories where a life-or-death choice is the premise of the novel, to ones where the main character is already dead, to ones where characters are haunted by the deceased, one thing is disturbingly clear: Death, in all its forms, is apparently the new black (pun intended...sort of).
3. Love triangles - Ah, love triangles. Something about them just screams teenage angst, doesn't it? This trend is one of the oldest in literature, going back to the days of Shakespeare and beyond, but it seems like its most recent resurgence has come in full force. You'll be hard-pressed to find a YA book these days (particularly one with paranormal elements) that doesn't feature a heroine bouncing like a ping pong ball between two drop-dead gorgeous fellas. Most readers either love or hate them. I happen to be in the "love them" camp, but only when they're done well and don't hijack the plot. I'm totally Team Peeta, by the way.

As far as what's the "next big thing" in YA, I think that's anybody's guess, but I'd love to hear your predictions. I'll have my thoughts on the matter in another post.

What trends have you noticed in YA books lately? Do you read with the trends or away from them? 

Know What Publication By Omission Is? Join The Debate!

Yesterday, the fabulous Moonrat over at Editorial Ass posed some questions that desperately needed asking about racism in the publishing industry. Here's the link: Editorial Ass: Publishing by Omission (or, Fighting Racism from Your Very Own Nightstand!) She explains it far more eloquently than I can, but the crux of her argument is that racism in publishing--as it is in most other industries today--occurs not with blatant attacks, but by the more insidious, subtle act of omission. In other words, projects from writers of color are systematically rejected in favor of more "marketable" work from white writers.

Here's my favorite quote from the post:

Writers of color aren't disadvantaged, per se; it's just that white authors are very, very advantaged. You know. No one's trying to be mean. (Or, at least, most people aren't.)

Personally, I think Moonrat's logic is spot-on, and she would know--she works in the industry, folks! But, as the guy from Reading Rainbow says, "You don't have to take my word for it!" Read the post and decide for yourself. Once you're done, don't be afraid to give feedback in the comments section. If Moonrat is right, what the heck are we all supposed to do about this?

I've been following the discussion since the post was first published, and I'm amazed at how insightful and (remarkably) respectful it has been. I'm learning a great deal from other writers' comments--even ones I strongly disagree with--and that's what makes these type of discussions so fascinating to me. I'm thrilled that we can still have a candid conversation about a difficult topic like racism without us biting each other's heads off.

Believe it or not, I'm convinced this is something every writer needs to think about, regardless of your race. The landscape of this country is changing. The election of President Obama was just the beginning. Experts say that by the year 2050, minorities will be the majority race in the U.S. Our world is more interconnected than ever before. As writers, we need to figure out how we're going to deal with these changes and whether or not they should affect our work. We can't afford to write 20th century stories in a 21st century world.

Need Some PR For Your Book?

Even though I'm light years away from having a book deal or even an agent, I like to think ahead. There's a general consensus in the publishing world that authors need to take on the lion's share of the marketing for their books, so I'm checking out my options early. In addition to following the blogs of literary agents and published authors, I'm researching marketing and PR-based blogs as well. When I do get that prized book deal, I want to hit the ground running before the ink on my contract dries.

The Book Publicity Blog is one of my favorites. It's mainly geared toward book publicists and other publishing professionals, but there are a lot of nice tidbits for aspiring authors as well. Today's post is a prime example of that. Yen put together a fantastic list of freelance book publicists, including each one's website, experience and specialty by genre. Be sure to also read her earlier post about how to hire a freelance book publicist as well.

If you've ever thought about hiring a publicist for your book, you'll want to refer to these posts. If you're even remotely close to securing a book deal or know someone who is, they're must-reads. Take a look-see and let me know what you think. Would you consider hiring a book publicist in the future? Why or why not?

Back From Neverwhere (What A Great Trip!)

A funny thing happened to me this week. I picked up an ordinary-looking book and took a peek inside, thinking that I would have no trouble setting it aside to go work on other things if I needed to. And in the beginning, I did just that. I read for an hour, maybe two, and went to cook dinner.

The next day, I came back and read a little more. I could feel the book calling me, like an itch I couldn't quite reach, but it wasn't impossible to resist. I could still stop whenever I wanted. Or so I thought.

On the third day, something mysterious and wonderful happened. I read for a couple of hours before coming to the startling realization that I couldn't stop reading. The plot had gripped me, the setting mesmerized me, and more than anything, I was irrevocably in love with the characters. Even the slimy, detestable ones. Those were my favorites.

I read until I was forced to stop, until something urgent like the sound of my son crying or the smell of burnt chili demanded it. But even then, I was reluctant to put the book down, and I found myself searching for every available opportunity to pick it up again. I read into the wee hours of the morning every night this week until I finished it yesterday evening. By then, the characters felt very much like living, breathing people, people who had come into my living room and told me their adventures over a cup of chai tea. They left when I closed the book, but their presence lingered, haunting me. They haunt me still.

The book was Neil Gaiman's Neverwhere. If you haven't read it, the only way I can think to describe it is to call it a grown-up version of Alice in Wonderland, part mystery, part fantasy and part suspense. For me, what made it so delightful was Gaiman's ability to partner darkness with whimsy and the logical with the bizarre. Croup and Vandemar are some of the most engaging villains I've seen in a long time, while Door and Hunter made some pretty exceptional heroines. Finishing the last page was bittersweet; a fitting end to the story, yet part of me also wanted to have more adventures in London Below. After reading Neverwhere, I doubt I will ever look at a doorway the same way again.

Every reader has their Neverwhere, a tale that absorbed you into it and surprised the stuffing out of you in the process. And we writers should want to create a Neverwhere, to make our readers feel that same sense of bittersweet satisfaction I felt when I put that book down for the last time. What is your Neverwhere? Which author brought his or her characters into your living room, and how do you plan to do the same thing for someone else?