NaNoWriMo, Here I Come!

If you're anything like me, you felt a change in the air on October 1. Something shifted in the artistic atmosphere, something wild and crazy that send a rush of adrenaline pumping through your veins. All over the world, writers began whispering, anticipating and feeling marvelous excitement at what was just around the corner. And if you listened carefully, you could hear the collective sound of shiny new story ideas being unwrapped and plunked down into eager waiting minds.

It was a moment of inspiration. It was the beginning of NaNoWriMo season.

What is NaNoWriMo, you ask? To put it succinctly, it is glorious literary abandon. You see, in the writing world, the entire month of November has been designated National Novel Writing Month (a.k.a. "NaNoWriMo," or simply "NaNo," depending on how lazy you are). Participants have from midnight on November 1 until midnight on November 30 to pen 50,000 words or more (about a 175-page novel), which translates to about 1,667 words per day.

Now, let's be clear about one thing: If you're the type of writer who simply must make every phrase sing before it hits the paper or computer screen, this event is not for you. This is your excuse to write absolutely unpublishable garbage, because, as the folks at NaNo's Office of Letters and Light like to say, "It's all about quantity, not quality." It's a time for writers everywhere to tie up their Inner Editors, put duct tape over their mouths and lock them in a closet. After all, there's gotta be a diamond in the rough somewhere, right?

Writers sign up from literally all over the globe to join in on the chaos; over 165,000 took part last year! Not bad for a gig that started out with a mere 21 brave souls back in 1999 :)

So, as you've probably already guessed, yours truly will be geared up and ready to go come November 1. This will be my third year participating in NaNo, and I'm more excited now than I've ever been. I've never reached that elusive goal of 50K words, but I have a good feeling that this third time will be the charm. Why? First, I've got a shiny new idea that's a doozy, if I do say so myself! I've gotten great feedback on it so far. Second, this year I discovered that when it comes to NaNoWriMo I'm definitely a "plotter," not a "pantser" (Want to know what those are? Stay tuned!). Finally and most importantly, I'm kind of a poor loser, and I really don't want to go through all of the late nights and caffeinated beverages it takes to survive November without having my 50K to show for it.

Whew! If you're new to the game, consider this your official introduction to National Novel Writing Month. If you're a bit of a veteran, now's the time for you to jump in and share your words of wisdom with the newbies. What are your secrets to reaching 50K? How do you stay motivated during the tough times? And of course, the most critical question of all: which snacks do you reach for when hunger strikes?

My Characters Are Not My Kids

I'd like to take a short break from the Facing Our Fears series. Blame it on my Muse. She's not exactly a linear thinker :-) Don't worry, though. We'll get back on track soon enough...

While driving home from work yesterday evening, I got a plot idea for a story I've been working on. A wonderful idea. An awful idea. A deliciously, wonderfully awful idea.

It's wonderful because it fits the story so well and it's true to my heroine and it adds so much nail-biting tension I can hardly stand it...and...and...well, it is exactly what I need. To a tee.

At the same time, it's awful because it requires me to do a really bad thing to my heroine. Bad enough to almost destroy her. Bad enough to cut her off from just about everyone around her. Before you ask, yeah, it is that screwed up, and no, it's not rape, torture or any other form of abuse. It's something a little more subtle, but with equally devastating results.

The funny thing is, as much as I love the idea, a large of me is railing against it because I know just how difficult it will make life for my character---for many of the characters in the story, in fact. And, even though this is a perfectly fictional being we're talking about here, some twisted maternal part of me wants to protect her, keep her safe. I want her to walk, talk and feel as alive as real, flesh-and-blood person, except I don't want her to feel pain. I don't want her to bleed.

Am I the only one who thinks that's a tad bit weird? Gosh, I hope not.

Fortunately, I thought of some wise words from one of my favorite writers of all time, the one-and-only Holly Lisle. I don't believe I've mentioned her on the blog before, but the woman has been an utter godsend for my writing. Her website has advice for just about every writing question you can think of, and 99.9% of it is FREE. Not to mention the fact that her Secret Texts trilogy features some of the most fantastic world-building I've ever come across...

But I digress. Anyway, in her "How to Create a Character" workshop, Ms. Lisle says the following:

You must feel empathy for the characters you create, both the heroes and the villains, but you can never feel sympathy. In other words, you have to understand why your characters do what they do, but you can't let that understanding tempt you to ease their suffering, or let them take the easy way out of situations, or experience sudden miracles that remove their obstacles.

And you know something? That's exactly my problem right now. I'm sympathizing with my heroine instead of empathizing with her. I guess I shouldn't be surprised. I've spent a ridiculous number of years with this character, more years than I'd care to admit. I suppose it's natural that I've become attached to her, that I think of her as a sort of adopted child.

Except that she's not. She's a character, not a kid, and no matter what hell I put her through, she won't break. Besides, if she never has to go through anything tough, no one will want to read her story.

What about you? Do you ever get too attached to your characters? What do you do when it happens?